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	<title>Modart &#187; Nicholas di Genova</title>
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		<title>Nicholas Di Genova &#8211; Preemptive Evolution</title>
		<link>http://www.modart.com/2011/11/10/nicholas-di-genova-preemptive-evolution/</link>
		<comments>http://www.modart.com/2011/11/10/nicholas-di-genova-preemptive-evolution/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 09:21:31 +0000</pubDate>
		<dc:creator>Castle Magazine</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Castle Magazine]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Nicholas di Genova]]></category>
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		<description><![CDATA[get your ex girlfriend back dukan hourdequin gallery is pleased to present Preemptive Evolution, the first solo exhibition in France by Canadian artist Nicholas Di Genova (1981). Nicholas Di Genova has developed a unique practice that is as firmly rooted in the utterly fantastical as it is in the deeply scientific. His depictions of hybrid creatures examine wildlife illustration through a Sci-fi lens. Di Genova’s highly detailed, and often encyclopaedic investigations of the natural world, yield monstrosities that are the most unlikely of amalgamations – these can be, for instance, a fusion of cat, goat and snake with cormorant, or tortoise merging into carnivorous plant and even a toad with eight, tentacle-like tongues. His depictions are obviously imagined; but Di Genova’s illustrative precision, makes these Audubon caricatures almost plausible. His materials are simple; he looks to the conventions of analogue animation, which employs gouache paint on Mylar, or the very basic approach of ink on paper. But Di Genova pushes line-work and a compact colour palette to the extreme; his seamless and fluid application of medium is in the service of an unparalleled intricacy of image. From the tiniest black and white elements (which can be a mere couple of centimetres square) to the robu get your ex girlfriend back st and colourful, full-sized works, Di Genova’s articulation of shape and texture is nothing short of masterful. For this exhibition the artist presents a new work entitled10,000 Vertebrates which takes the form of a genus grid comprising 10,000 micro-portraits – perhaps a periodic table of this morphed and grotesque animal species. This particular work is pivotal; certainly because it embodies Di Genova’s relentless capacity for minutiae and detail but moreover, it gives reference to the research back story of his practice. From books, the internet, film and television – this is a practice contingent on mining a diversity of source materials, from factual to absolutely fiction. Not merely a random selection of beaks, claws, fangs, feathers, fur and scales, these creatures are built conceptually first – each telling a distinctive story that is equal parts biology and mythology. William Huffman, Toronto, July 2011 William Huffman is an visual arts educator, writer and curator based in Toronto, Canada. He currently holds the post of Associate Director at Toronto Arts Council. Nicholas Di Genova Preemptive Evolution November 11 &#8211; December 3, 2011 Opening: November 10, 2011 / 6 – 9 pm zp8497586rq]]></description>
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<div>dukan hourdequin gallery is pleased to present <em>Preemptive Evolution</em>, the first solo exhibition in France by Canadian artist Nicholas Di Genova (1981).</div>
<p>Nicholas  Di Genova has developed a unique practice that is as firmly rooted in  the utterly fantastical as it is in the deeply scientific. His  depictions of hybrid creatures examine wildlife illustration through a  Sci-fi lens. Di Genova’s highly detailed, and often encyclopaedic  investigations of the natural world, yield monstrosities that are the  most unlikely of amalgamations – these can be, for instance, a fusion of  cat, goat and snake with cormorant, or tortoise merging into  carnivorous plant and even a toad with eight, tentacle-like tongues. His  depictions are obviously imagined; but Di Genova’s illustrative  precision, makes these Audubon caricatures almost plausible.</p>
<p>His  materials are simple; he looks to the conventions of analogue  animation, which employs gouache paint on Mylar, or the very basic  approach of ink on paper. But Di Genova pushes line-work and a compact  colour palette to the extreme; his seamless and fluid application of  medium is in the service of an unparalleled intricacy of image. From the  tiniest black and white elements (which can be a mere couple of  centimetres square) to the robu
<div style="display: none"><a href="http://getyourextips.com/" title="get your ex girlfriend back">get your ex girlfriend back</a></div>
<p>st and colourful, full-sized works, Di  Genova’s articulation of shape and texture is nothing short of  masterful.</p>
<p>For this exhibition the artist presents a new work entitled<em>10,000 Vertebrates</em> which takes the form of a genus grid comprising 10,000 micro-portraits –  perhaps a periodic table of this morphed and grotesque animal species.  This particular work is pivotal; certainly because it embodies Di  Genova’s relentless capacity for minutiae and detail but moreover, it  gives reference to the research back story of his practice. From books,  the internet, film and television – this is a practice contingent on  mining a diversity of source materials, from factual to absolutely  fiction. Not merely a random selection of beaks, claws, fangs, feathers,  fur and scales, these creatures are built conceptually first – each  telling a distinctive story that is equal parts biology and mythology.</p>
<p>William Huffman, Toronto, July 2011</p>
<p>William  Huffman is an visual arts educator, writer and curator based in  Toronto, Canada. He currently holds the post of Associate Director at  Toronto Arts Council.</p>
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<p>Nicholas Di Genova<br />
<em>Preemptive Evolution<br />
</em>November 11 &#8211; December 3, 2011<br />
Opening: November 10, 2011 / 6 – 9 pm</p>
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