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Analogue Boy in a Digital World

They say the eyes are the windows to the soul. It is too easy to forget, or overlook the fact that those windows are also built-in lenses, 3D camera and extensive hard-drive that stores and catalogues almost every image we experience.

This month I was reminded of my growing dependence on digital technology as I lost my Cannon G11 camera. The G11 is a wonderful piece of equipment, and I have used it every day for over a year. The best/worst/most poetic point of this digital departure was that the camera had more than 200 photographs on its memory card.

I am now traveling back in time. I have dusted off my old Yashica minitec 35 mm camera, and if I am honest, I am very happy about it.

I love all things digital, however, the photograph is a special thing, an art form, the camera is a fixer of moments in time. Special moments, posed, and caught in a flash of blinding personal nostalgia. These days, however, that ‘special moment’ is overruled by an immediate recognition of what looks ‘good’, and “oh no, I hate that photo, take it again”, a luxury we have quickly grown accustomed to. Added to by immediate uploads, cropping, colour adjustment, artsy filters and social network tagging. The result: a small, low-resolution, prescribed and designed version of events.

Until I can afford a new camera, I am forcing myself to celebrate shooting from the hip, closing the viewfinder and winding on a real-life piece of celluloid film. Forgetting about the image until I can develop the roll and rediscover those forgotten moments, complete with imperfections, red eyes, and accidental blurry snap shots.


To read the full article and view all of David”s analogue images visit No New Enemies.


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